键1959
2024-08-10 19:35:33
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剧照(3张)在某大学任教的美术教授安西宗一郎(柄本明饰)年事渐高,自感体力不支 他感叹妻子郁子(川岛直美饰)的美艳容貌,却又对枯燥乏味的性生活和自己的疲软乏力心存不满 夫妻二人偶然邂逅年轻潇洒的摄影师木村健一(大泽树生饰),妻子和木村的短暂交谈让安西体味到些许醋意,而这也令他有了重焕青春的错觉 自此,安西开始了一场危险的尝试,他刻意邀请木村来家中做客,并试图从妻子和木村的暧昧中感受强烈的嫉妒 与此同时,他将内心真实想法写在私密的日记中,并故意让郁子看到 对木村隐隐的渴望令郁子从丈夫身上体味到从未有过的快感 夫妻二人为了极致的快乐越走越远 川岛直美安西郁子柄本明安西宗一郎大泽树生木村健一辻香绪里安西敏子今井健二相马博士三谷升儿岛医生山口杏子护士谷崎润一郎池田敏春中岛竹彦白鸟あかね、香川まさひと、池田敏春前田米造本多俊之桑名忠之加藤松作(以上参考资料)安西宗一郎安西宗一郎演员柄本明柄本明配音-在某大学任教的美术教授,年事渐高,自感体力不支 他感叹妻子郁子的美艳容貌,却又对枯燥乏味的性生活和自己的疲软乏力心存不满 为此,他主动找来年轻人木村,怂恿其接近妻子,试图从妻子和木村的暧昧中感受强烈的嫉妒 与此同时,他将内心真实想法写在私密的日记中,并故意让郁子看到 安西郁子安西郁子演员川岛直美川岛直美配音-安西宗一郎的续弦,美艳容貌,但因为丈夫年事渐高而体力不支,导致性生活枯燥乏味 一次偶然,她邂逅了年轻潇洒的摄影师木村健一 看到丈夫写在私密日记中的内心真实想法后,对木村隐隐的渴望令郁子从丈夫身上体味到从未有过的快感 木村健一木村健一演员大泽树生大泽树生配音-年轻潇洒的摄影师,一次偶然,他邂逅了安西夫妇 垂涎郁子美色又觊觎安西财产的他对安西一家人曲意逢迎,左右逢源,一面与郁子通奸,一面与安西宗一郎的女儿敏子虚与委蛇 (以上参考资料)该片是日本国内四个版本中尺度最大的 该片是终年以拍摄录像带电影为生的池田敏春屈指可数的一部公映电影 该片是川岛直美从影生涯以来拍摄的尺度最大的电影 创作背景1956年,70岁高龄的谷崎润一郎面临着精神与肉体的衰颓、“不中用”的威胁,在病榻上完成了《键》的创作 这是他晚年的重要作品之一,也是最受争议的一部作品 池田敏春的翻拍是该小说第五次被改编 片名释义“键”,日语中为“钥匙”的意思 影片的魅力,在于池田敏春把谷崎原著刻意藏匿很深的、含蓄兼悬念化的悲美艺风,以切实的、一目了然的影像媒介刻画的栩栩如生 影片的画面美伦美奂,幽玄的意境不在原著之下 如暗房里冲洗相片一幕:显影纸在显影液中朦胧地显形,缓缓浮现出郁子盈盈的肌肤,对木村而言,眼前就恍如郁子的幻象浮出氤氲水面 这种超现实的视觉化借喻,实在是太惬意不过了 郁子的扮演者川岛直美,实在是符合原著的形象 这个容貌跟黑目瞳有些联像的女人,酥软柔媚的身体流露着女人的倦怠,让人怜悯、爱不释手 浑圆而不丰腴、纤瘦而不嶙峋 涅白的珍珠耳环,映衬出她耳垂后的白皙皮肤,熠熠生辉的圆润脚踝不偏不倚,小腿是微微向内侧弯曲的 用润一郎的话说,就是能把洋装穿出和服的味道 女儿敏子的设计与原著中不同,影片中她不是郁子的亲生女儿(郁子为安西教授的续弦) 这样的改动非常理智,她对郁子和父亲的怨恨,从而变得更合情合理了 她与木村间的“恋爱”关系,为其“弑父”提供了“动机” (网易娱乐评)池田敏春为保持影片的流畅与条理,为剔除原作中这种不确定的含糊元素,不得不舍弃原本作为叙述载体与核心的“日记”,取而代之为郁子忏悔式的倒叙回忆 其结果呐 虽然故事向雅俗共赏、一目了然迈进了一步,却错失原作最宝贵的东西 “键”在日语中是“钥匙”的意思,于原作的表象为开启日记的钥匙(隐喻开启欲望之门的钥匙),池田放弃了日记的道具,“键”也就少掉了一层用武之地,连“键”的电影片名都随之掉了分量嘛 (东方网评)
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